How Much Art Does the Metropolitan Museum of Art Have

The Metropolitan Museum of Art

Established	1872
Location	Fifth Artery and 82nd Street, Manhattan, New York
Visitor figures	iv million/yr
Manager	Philippe de Montebello
Website	http://www.metmuseum.org/ www.metmuseum.org

The Metropolitan Museum of Art, founded in 1870 and opened in 1872, is an fine art museum located on the eastern edge of Central Park, forth what is known as Museum Mile in New York City, Usa. Information technology has a permanent collection containing more than two meg works of art, divided into xix curatorial departments.^[1] The primary building, often referred to only as "the Met," is one of the globe's largest and the finest fine art galleries, and has a much smaller 2nd location in Upper Manhattan, at "The Cloisters," which features medieval fine art.

The Museum'south collection ranges from ancient to contemporary with origins around the globe. The Museum has been making remarkable efforts in preserving cultural artifacts its loftier preservation standards. The Museum strives to operate with the "highest professional, scholarly, and upstanding standards in every attribute of the Museum's governance, programs, and operations."^[2] As with the case of other notable museums, the Metropolitan Museum of Art works to enhance people'southward respect, friendship, and understanding in diverse global community.

Contents

• 1 Overview
• two Mission
• 3 History
• 4 American decorative arts
• v American paintings and sculpture
• 6 Ancient Near Eastern art
• vii Arms and armor
• 8 Arts of Africa, Oceania, and the Americas
• ix Asian art
• 10 The Costume Constitute
• 11 Drawings and prints
• 12 Egyptian fine art
• 13 European paintings
• fourteen European sculpture and decorative arts
• 15 Greek and Roman fine art
• 16 Islamic art
• 17 Robert Lehman Collection
• eighteen Libraries
• 19 Medieval art
  • 19.i Chief building
  • 19.2 The Cloisters
• 20 Mod art
• 21 Musical instruments
• 22 Photographs
• 23 Special exhibitions
• 24 Acquisitions and deaccessioning
• 25 In popular culture
• 26 Gallery of paintings
• 27 Come across also
• 28 Notes
• 29 References
• 30 External links
• 31 Credits

Today the Met is served by more than ane,800 professional staff and 900 volunteers, measures nearly a quarter mile long and occupies more than ii million foursquare feet; more than 20 times the size of the original 1880 building.^[3]

Overview

The facade of the Metropolitan Museum is one of the primary features of New York Urban center'due south "Museum Mile".

The Met's permanent collection is cared for and exhibited by nineteen split up departments, each with a specialized staff of curators, restorers, and scholars.^[ane]

Represented in the permanent collection are works of art from classical antiquity and Ancient Egypt, paintings and sculptures from nearly all the European masters, and an extensive collection of American and modern fine art. The Met also maintains extensive holdings of African, Asian, Oceanic, Byzantine and Islamic fine art.^[4] The museum is also dwelling to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from effectually the world.^[five] A number of notable interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Met'southward galleries.^[6]

In addition to its permanent exhibitions, the Met organizes and hosts large traveling shows throughout the year.^[7]

Mission

The Metropolitan Museum of Fine art holds its mission:

The mission of The Metropolitan Museum of Fine art is to collect,

preserve, written report, exhibit, and stimulate appreciation for and advance knowledge of works of art that collectively represent the broadest spectrum of human being achievement at the highest level of quality, all in the service of the public and in accordance with

the highest professional standards.^[viii]

Guided past this mission, the Museum has been striving for achieving the goals of: comprehensive collection development of cultural heritages of the world from antiquity to the contemporary; preservation of fine and delicate works of arts with the highest standard of preservation skills, noesis, and technologies; exhibition of the collections to all people to promote sensation of heritages of humanity; setting the standards for all aspects of museum operations.^[9]

History

Opening reception in the picture gallery at 681 Fifth Artery, February twenty, 1872. Wood engraving published in Frank Leslie's Weekly, March ix, 1872.

The Metropolitan Museum of Art first opened on February twenty, 1872, housed in a edifice located at 681 5th Artery in New York City. John Taylor Johnston, a railroad executive whose personal art drove seeded the museum, served as its first President, and the publisher George Palmer Putnam came on board equally its founding Superintendent. Under their guidance, the Met's holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met's buy of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took upward residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary.

Later negotiations with the metropolis of New York, the Met acquired land on the east side of Fundamental Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mould. The Met has remained in this location ever since, and the original structure is nonetheless office of its electric current building. A host of additions over the years, including the distinctive Beaux-Arts facade, designed by Richard Morris Chase and completed in 1926, have continued to expand the museum's physical structure. Every bit of 2007, the Met measures about a quarter mile long and occupies more than two 1000000 square feet, more than 20 times the size of the original 1880 building.^[x]

American decorative arts

The American Decorative Arts Department includes nigh 12,000 examples of American decorative art, ranging from the late seventeenth to the early twentieth century. Though the Met acquired its showtime major holdings of American decorative arts via a 1909 donation by Margaret Olivia Slocum Sage, married woman of the financier Russell Sage, a decorative arts department specifically dedicated to American works was non established until 1934. 1 of the prizes of the American Decorative Arts section is its extensive drove of American stained drinking glass. This drove, probably the most comprehensive in the world, includes many pieces by Louis Comfort Tiffany. The section is also well-known for its 20-5 menstruum rooms, each of which recreates an entire room, furnishings and all, from a noted menstruation or designer. The department's electric current holdings likewise include an all-encompassing silverish collection notable for containing numerous pieces by Paul Revere as well equally works by Tiffany & Co.

American paintings and sculpture

Washington Crossing the Delaware by Emanuel Leutze

Ever since its founding, the Metropolitan Museum of Fine art has placed a particular emphasis on collecting American art. The beginning piece to enter the Met's drove was an emblematic sculpture past Hiram Powers titled California, acquired in 1870, which can yet be seen in the Met's galleries today. In the following decades, the Met's collection of American paintings and sculpture has grown to include more than one thousand paintings, 6 hundred sculptures, and ii,600 drawings, covering the entire range of American fine art from the early Colonial flow through the early twentieth century. Many of the best-known American paintings are held in the Met's collection, including a portrait of George Washington by Gilbert Stuart and Emanuel Leutze's monumental Washington Crossing the Delaware. The collection also includes masterpieces by such notable American painters every bit Winslow Homer, George Caleb Bingham, John Vocalizer Sargent, James McNeill Whistler, and Thomas Eakins.

Ancient Near Eastern art

Starting time in the tardily 1800s, the Met started to acquire ancient art and artifacts from the Near Eastward. From a few cuneiform tablets and seals, the Met's collection of Near Eastern art has grown to more than 7000 pieces. Representing a history of the region beginning in the Neolithic Menstruation and encompassing the fall of the Sassanian Empire and the end of Late Antiquity, the collection includes works from the Sumerian, Hittite, Sassanian, Assyrian, Babylonian and Elamite cultures (among others), as well as an extensive drove of unique Statuary Age objects. The highlights of the collection include a ready of monumental rock lammasu, or guardian figures, from the Northwest Palace of the Assyrian king Ashurnasirpal II.

Arms and armor

Arms and armor, Middle Ages main hall

The Met'southward Department of Arms and Armor is ane of the museum's almost popular collections. The distinctive "parade" of armored figures on horseback installed in the first-floor Arms and Armor gallery is one of the virtually recognizable images of the museum. The department'due south focus on "outstanding adroitness and decoration," including pieces intended solely for display, ways that the collection is strongest in late medieval European pieces and Japanese pieces from the fifth through the nineteenth centuries. Nevertheless, these are not the only cultures represented in Arms and Armor; in fact, the collection spans more than geographic regions than almost any other department, including weapons and armor from dynastic Arab republic of egypt, ancient Greece, the Roman Empire, the ancient Near East, Africa, Oceania, and the Americas, every bit well as American firearms (specially Colt firearms) from the nineteenth and twentieth centuries. Among the collection's 15,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry Ii of France and Ferdinand I of Germany.

Arts of Africa, Oceania, and the Americas

Though the Met first caused a grouping of Peruvian antiquities in 1882, the museum did non begin a concerted effort to collect works from Africa, Oceania, and the Americas until 1969, when American man of affairs and philanthropist Nelson A. Rockefeller donated his more than than three,000-slice collection to the museum. Today, the Met's collection contains more than 11,000 pieces from sub-Saharan Africa, the Pacific Islands and the Americas and is housed in the xl,000-square-human foot (4,000 grand²) Rockefeller Wing on the south terminate of the museum. The drove ranges from forty,000-yr-old Australian Aboriginal rock paintings, to a group of 15-foot high memorial poles carved past the Asmat people of New Republic of guinea, to a priceless collection of ceremonial and personal objects from the Nigerian Courtroom of Benin. The range of materials represented in the Africa, Oceania, and Americas drove is undoubtedly the widest of any department at the Met, including everything from precious metals to porcupine quills.

Asian art

Hokusai's The Great Wave off Kanagawa

The Met'south Asian department holds a collection of Asian art that is arguably the most comprehensive in the West. The collection dates back about to the founding of the museum: many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections. Today, an unabridged fly of the museum is dedicated to the Asian collection, which contains more than 60,000 pieces and spans 4,000 years of Asian art. Every Asian civilization is represented in the Met's Asian department, and the pieces on display include every type of decorative art, from painting and printmaking to sculpture and metalworking. The section is well-known for its comprehensive collection of Chinese calligraphy and painting, every bit well as for its Nepalese and Tibetan works. However, not simply "fine art" and ritual objects are represented in the drove; many of the best-known pieces are functional objects. The Asian wing fifty-fifty contains a complete Ming Dynasty garden court, modeled on a courtyard in the Garden of the Master of the Fishing Nets in Suzhou.

The Costume Institute

In 1937, the Museum of Costume Art joined with the Met and became its Costume Institute department. Today, its collection contains more than 80,000 costumes and accessories. Due to the fragile nature of the items in the collection, the Costume Institute does not maintain a permanent installation. Instead, every year information technology holds two separate shows in the Met'south galleries using costumes from its collection, with each prove centering on a specific designer or theme. In by years, Costume Institute shows organized around famous designers such equally Chanel and Gianni Versace accept drawn significant crowds to the Met. The Costume Institute's annual Benefit Gala, co-chaired by Vogue editor-in-chief Anna Wintour, is an extremely pop, if exclusive, event in the fashion world; in 2007, the 700 available tickets started at $6,500 per person.^[11]

Drawings and prints

Though other departments contain significant numbers of drawings and prints, the Drawings and Prints department specifically concentrates on North American pieces and western European works produced after the Middle Ages. Currently, the Drawings and Prints collection contains more than than eleven,000 drawings, ane.5 1000000 prints, and twelve thousand illustrated books. The collection has been steadily growing always since the first bequest of 670 drawings donated to the museum by Cornelius Vanderbilt in 1880. The great masters of European painting, who produced many more sketches and drawings than actual paintings, are extensively represented in the Drawing and Prints collection. The department's holdings comprise major drawings by Michelangelo, Leonardo da Vinci, and Rembrandt, likewise as prints and etchings past Van Dyck, Dürer, and Degas among many others.

Egyptian art

Though the majority of the Met's initial holdings of Egyptian art came from private collections, items uncovered during the museum's ain archeological excavations, carried out between 1906 and 1941, constitute about half of the current collection. More than 36,000 carve up pieces of Egyptian art from the Paleolithic era through the Roman era constitute the Met's Egyptian collection, and almost all of them are on display in the museum's massive wing of 40 Egyptian galleries. Among the well-nigh valuable pieces in the Met's Egyptian collection are a set up of 24 wooden models, discovered in a tomb in Deir el-Bahri in 1920. These models depict, in unparalleled particular, a veritable cross-section of Egyptian life in the early Middle Kingdom : boats, gardens, and scenes of daily life. Nonetheless, the pop centerpiece of the Egyptian Art department continues to be the Temple of Dendur. Dismantled by the Egyptian authorities to save it from rising waters acquired by the edifice of the Aswan High Dam, the large sandstone temple was given to the United States in 1965 and assembled in the Met'south Sackler Wing in 1978. Situated in a big room, partially surrounded by a reflecting pool and illuminated by a wall of windows opening onto Central Park, the Temple of Dendur is one of the Met'due south most indelible attractions.

European paintings

The Met has one of the earth's best collections of European paintings. Though the collection numbers only around 2,200 pieces, information technology contains many of the world'due south most instantly recognizable paintings. The bulk of the Met's purchasing has e'er been in this department, primarily focusing on Former Masters and nineteenth-century European paintings, with an accent on French, Italian and Dutch artists. Many great artists are represented in remarkable depth in the Met's holdings: the museum owns 37 paintings by Monet, 21 oils by Cezanne, and eighteen Rembrandts including Aristotle With a Bosom of Homer. The Met's 5 paintings past Vermeer represent the largest collection of the artist'southward piece of work anywhere in the globe. Other highlights of the collection include Van Gogh's Self-Portrait with a Straw Lid, Pieter Bruegel the Elder's The Harvesters, Georges de La Tour's The Fortune Teller, and Jacques-Louis David's The Death of Socrates. In contempo decades, the Met has carried out a policy of deaccessioning its "minor" holdings in gild to purchase a smaller number of "world-class" pieces. Though this policy remains controversial, it has gained a number of outstanding (and outstandingly expensive) masterpieces for the European Paintings drove, beginning with Velázquez'south Juan de Pareja in 1971. One of The Met'southward latest purchases is Duccio's Madonna and Child, which cost the museum more 45 meg dollars, more than twice the amount it had paid for any previous painting. The painting itself is only slightly larger than 9 by 6 inches, simply has been called "the Met's Mona Lisa."

European sculpture and decorative arts

Though European painting may accept its ain department, other European decorative arts are well-represented at the Met. In fact, the European Sculpture and Decorative Arts collection is one of the largest departments at the Met, holding in backlog of 50,000 divide pieces from the 1400s through the early twentieth century. Though the collection is particularly concentrated in Renaissance sculpture—much of which tin be seen in situ surrounded by gimmicky furnishings and decoration—it also contains comprehensive holdings of furniture, jewelry, drinking glass and ceramic pieces, tapestries, textiles, and timepieces and mathematical instruments. Visitors tin enter dozens of completely furnished period rooms, transplanted in their entirety into the Met's galleries. The drove even includes an entire sixteenth-century patio from the Spanish castle of Vélez Blanco, meticulously reconstructed in a 2-story gallery. Sculptural highlights of the sprawling section include Bernini's Bacchanalia, a cast of Rodin'due south The Burghers of Calais, and several unique pieces by Houdon, including his Bust of Voltaire and his famous portrait of his girl Sabine.

Greek and Roman art

The Met'south collection of Greek and Roman art contains more than 35,000^[12] works dated through A.D. 312. The Greek and Roman collection dates back to the founding of the museum—in fact, the museum'southward first accessioned object was a Roman sarcophagus, still currently on brandish. Though the collection naturally concentrates on items from ancient Greece and the Roman Empire, these historical regions represent a wide range of cultures and artistic styles, from classic Greek black-effigy and reddish-figure vases to carved Roman tunic pins. Several highlights of the collection include the Euphronios krater depicting the death of Sarpedon (whose ownership has since been transferred to the Republic of Italy), the monumental Amathus sarcophagus, and a magnificently detailed Etruscan chariot known as the "Monteleone chariot." The drove also contains many pieces from far earlier than the Greek or Roman empires—among the virtually remarkable are a collection of early Cycladic sculptures from the mid-third millennium B.C.E., many so abstract as to seem virtually modern. The Greek and Roman galleries also contain several large classical wall paintings and reliefs from different periods, including an entire reconstructed bedchamber from a noble villa in Boscoreale, excavated afterwards its entombment by the eruption of Vesuvius in 79 C.E. In 2007, the Met's Greek and Roman galleries were expanded to approximately 60,000 square anxiety (vi,000 m²), allowing the majority of the drove to be on permanent brandish.^[13]

Islamic art

The Met's collection of Islamic fine art is not confined strictly to religious art, though a significant number of the objects in the Islamic collection were originally created for religious use or as decorative elements in mosques. Much of the 12,000 potent collection consists of secular items, including ceramics and textiles, from Islamic cultures ranging from Spain to North Africa to Central Asia. In fact, the Islamic Art section's collection of miniature paintings from Iran and Mughal Bharat are a highlight of the drove. Calligraphy both religious and secular is well-represented in the Islamic Art department, from the official decrees of Suleiman the Magnificent to a number of Qur'an manuscripts reflecting different periods and styles of calligraphy. Every bit with many other departments at the Met, the Islamic Art galleries incorporate many interior pieces, including the entire reconstructed Nur Al-Din Room from an early eighteenth century house in Damascus.

Robert Lehman Collection

On the passing of broker Robert Lehman in 1969, his Foundation donated shut to 3,000 works of art to the museum. Housed in the "Robert Lehman Fly," the museum refers to the collection as "one of the most extraordinary private art collections e'er assembled in the Usa".^[14] To emphasize the personal nature of the Robert Lehman Collection, the Met housed the collection in a special gear up of galleries which evoked the interior of Lehman's richly decorated townhouse; this intentional separation of the Drove every bit a "museum within the museum" met with mixed criticism and approval at the fourth dimension, though the acquisition of the collection was seen every bit a coup for the Met.^[15] Unlike other departments at the Met, the Robert Lehman collection does not concentrate on a specific mode or period of art; rather, it reflects Lehman'south personal interests. Lehman the collector full-bodied heavily on paintings of the Italian Renaissance, particularly the Senese school. Paintings in the drove include masterpieces by Botticelli and Domenico Veneziano, as well as works by a meaning number of Spanish painters, El Greco and Goya among them. Lehman'southward collection of drawings by the Quondam Masters, featuring works by Rembrandt and Dürer, is particularly valuable for its latitude and quality.^[16] Princeton University Press has documented the massive drove in a multi-volume volume serial published as The Robert Lehman Drove Catalogues.

Libraries

The chief library at the Met is the Thomas J. Watson Library, named after its benefactor. The Watson Library primarily collects books related to the history of art, including exhibition catalogues and auction sale publications, and mostly attempts to reflect the emphasis of the museum'south permanent collection. Several of the museum'due south departments have their own specialized libraries relating to their expanse of expertise. The Watson Library and the individual departments' libraries also agree substantial examples of early or historically important books which are works of fine art in their own correct. Among these are books past Dürer and Athanasius Kircher, also as editions of the seminal Surrealist magazine "VVV" and a copy of "Le Description de fifty'Egypte," commissioned in 1803 past Napoleon Bonaparte and considered 1 of the greatest achievements of French publishing.

Several of the departmental libraries are open to members of the public without prior appointment. The Library and Teacher Resource Center, Ruth and Harold Uris Center for Education, is open to visitors of all ages to study fine art and art history and to learn almost the Museum, its exhibitions and permanent collection. The Robert Goldwater Library in the department of the Arts of Africa, Oceania, and the Americas documents the visual arts of sub-Saharan Africa, the Pacific Islands, and Native and Precolumbian America. Information technology is open to adult researchers, including college and graduate students. Most of the other departmental libraries are for museum staff only or are open up to the general public by appointment merely.

Medieval art

The Limbourg brothers' Belles Heures of Jean of France, Knuckles of Berry

The Met'due south collection of medieval fine art consists of a comprehensive range of Western art from the fourth century through the early sixteenth century, as well as Byzantine and pre-medieval European antiquities non included in the Aboriginal Greek and Roman drove. Like the Islamic collection, the Medieval collection contains a broad range of 2- and three-dimensional art, with religious objects heavily represented. In full, the Medieval Art department's permanent drove numbers virtually 11,000 separate objects, divided between the main museum building on 5th Artery and The Cloisters.

Main building

The medieval collection in the main Metropolitan building, centered on the get-go-floor medieval gallery, contains most six thousand split objects. While a great deal of European medieval art is on brandish in these galleries, most of the European pieces are full-bodied at the Cloisters (run across below). However, this allows the primary galleries to display much of the Met'due south Byzantine art side-by-side with European pieces. The main gallery is host to a wide range of tapestries and church and funerary statuary, while side galleries display smaller works of precious metals and ivory, including reliquary pieces and secular items. The main gallery, with its high arched ceiling, as well serves double duty equally the annual site of the Met's elaborately busy Christmas tree.

The Cloisters

The Cloisters was a principal project of John D. Rockefeller, Jr., who was a major distributor of the Met. Located in Fort Tryon Park and completed in 1938, it is a carve up building dedicated solely to medieval art. The Cloisters drove was originally that of a split museum, assembled by George Grayness Barnard and acquired in toto by Rockefeller in 1925 as a gift to the Met.^[17]

The Cloisters are so named on account of the five medieval French cloisters whose salvaged structures were incorporated into the modern building, and the five thousand objects at the Cloisters are strictly express to medieval European works. The collection exhibited here features many items of outstanding dazzler and historical importance; among these are the Belles Heures du Duc de Drupe illustrated by the Limbourg Brothers in 1409, the Romanesque altar cantankerous known every bit the "Cloisters Cross" or "Bury Cantankerous," and the vii heroically detailed tapestries depicting the Hunt of the Unicorn.

Modernistic art

With more than than x,000 artworks, primarily by European and American artists, the modern art collection occupies sixty,000 foursquare anxiety (6,000 m²), of gallery infinite and contains many iconic modernistic works. Cornerstones of the collection include Picasso's portrait of Gertrude Stein, Jasper Johns's White Flag, Jackson Pollock'due south Fall Rhythm (Number 30), and Max Beckmann'southward triptych Beginning. Certain artists are represented in remarkable depth, for a museum whose focus is not exclusively on mod art: for example, the collection contains forty paintings by Paul Klee, spanning his entire career. Due to the Met's long history, "contemporary" paintings acquired in years past have often migrated to other collections at the museum, particularly to the American and European Paintings departments.

Musical instruments

The Met'southward collection of musical instruments, with about five grand examples of musical instruments from all over the world, is virtually unique among major museums. The collection began in 1889 with a donation of several hundred instruments by Lucy W. Drexel, only the department's current focus came through donations over the following years by Mary Elizabeth Adams, married woman of John Crosby Brown. Instruments were (and keep to be) included in the collection not only on artful grounds, just too insofar equally they embodied technical and social aspects of their cultures of origin. The modern Musical Instruments collection is encyclopedic in scope; every continent is represented at virtually every stage of its musical life. Highlights of the department's collection include several Stradivari violins, a collection of Asian instruments made from precious metals, and the oldest surviving piano, a 1720 model by Bartolomeo Cristofori. Many of the instruments in the collection are playable, and the department encourages their use by holding concerts and demonstrations by invitee musicians.

Photographs

The Met's drove of photographs, numbering more than xx,000 in full, is centered on five major collections plus additional acquisitions past the museum. Alfred Stieglitz, a famous photographer himself, donated the offset major collection of photographs to the museum, which included a comprehensive survey of Photo-Secessionist works, a rich ready of master prints by Edward Steichen, and an outstanding collection of Stieglitz's photographs from his own studio. The Met supplemented Stieglitz's gift with the 8,500-slice Gilman Newspaper Visitor Collection, the Rubel Drove, and the Ford Motor Visitor Collection, which respectively provided the collection with early on French and American photography, early British photography, and mail-WWI American and European photography. The museum also caused Walker Evans'southward personal collection of photographs, a particular coup because the high demand for his works. Though the section gained a permanent gallery in 1997, not all of the department's holdings are on display at any given time, due to the sensitive materials represented in the photography collection. Nonetheless, the Photographs department has produced some of the best-received temporary exhibits in the Met's recent past, including a Diane Arbus retrospective and an extensive testify devoted to spirit photography.

Special exhibitions

Frank Stella on the Roof features in stainless steel and carbon fiber several works past American artist Frank Stella. This exhibition is set in The Iris and B. Gerald Cantor Roof Garden, offering views of Central Park and the Manhattan skyline.

Coaxing the Spirits to Trip the light fantastic: Art of the Papuan Gulf presents some 60 sculptures and 30 historical photographs from the Gulf province of Papua New Guinea.

Acquisitions and deaccessioning

During the 1970s, nether the directorship of Thomas Hoving, the Met revised its deaccessioning policy. Nether the new policy, the Met set its sights on acquiring "world-class" pieces, regularly funding the purchases past selling mid- to high-value items from its collection.^[eighteen] Though the Met had always sold duplicate or minor items from its collection to fund the acquisition of new pieces, the Met's new policy was significantly more aggressive and broad-ranging than before, and allowed the deaccessioning of items with college values which would unremarkably have precluded their sale. The new policy provoked a swell deal of criticism (in particular, from The New York Times) but had its intended effect.

Many of the items and so purchased with funds generated by the more than liberal deaccessioning policy are at present considered the "stars" of the Met'south collection, including Velázquez'south Juan de Pareja and the Euphronios krater depicting the death of Sarpedon. In the years since the Met began its new deaccessioning policy, other museums have begun to emulate it with aggressive deaccessioning programs of their own.^[19] The Met has continued the policy in recent years, selling such valuable pieces as Edward Steichen'south 1904 photograph The Pond-Moonlight (of which some other copy was already in the Met'due south collection) for a record cost of $2.9 million.^[20]

In popular culture

• The Met was famously used equally the setting for much of the Newbery Medal-winning children's book, From the Mixed-Upwardly Files of Mrs. Basil E. Frankweiler, in which the 2 immature protagonists run away from dwelling house and secretly stay several nights in the museum. However, Michelangelo's Angel statue, central to the book's plot, is purely fictional and not actually function of the museum's collection.

• The 1948 film Portrait of Jennie was filmed at the both the Museum and The Cloisters.

• Blair Waldorf, Serena van der Woodsen, and a few select classmates at the Constance Billard School for Girls from Gossip Girl TV series usually eat their lunch on the steps of the Met.

• The Met was featured equally the first level in the tactical first-person shooter Tom Clancy's Rainbow Six: Rogue Spear

• The 1999 version of The Thomas Crown Affair uses the Met every bit a major setting; yet, only the exterior scenes were shot at the museum, with the interior scenes filmed on soundstages.

• In 1983, there was a Sesame Street special entitled Don't Swallow the Pictures: Sesame Street at the Metropolitan Museum of Fine art, where the cast goes to visit the museum on-location.

• An episode of Inspector Gadget entitled "Fine art Heist" had Gadget and Penny and Brain travel to the Met, with Gadget being assigned to protect the artwork. Simply M.A.D. Agents steal the masterpieces and programme to replace them with fakes.

• In the 2007 motion picture I Am Legend, the master grapheme is shown angling in the ruined Egyptian Wing.

• The Met is featured in a season four episode of Project Runway, where 5 remaining designers must create an outfit based on a piece of work of art.

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Notes

1. ↑ ^{one.0 1.ane} The Metropolitan Museum of Art: The Permanent Drove and Special Exhibitions. [1]. accessdate 2008-07-xiii Cite fault: Invalid <ref> tag; proper name "metsite_permanentcollection" divers multiple times with dissimilar content
2. ↑ Mission Statement, Metropolitan Museum of Fine art. Retrieved July 14, 2008.
3. ↑ The Metropolitan Museum of Fine art. HumanitiesWeb. Retrieved July 14, 2008.
4. ↑ Barbara Burn. Masterpieces of the Metropolitan Museum of Fine art. New York: Metropolitan Museum of Art. 1997.
5. ↑ Stuart Due west. Pyhrr. Arms and Armor: Notable Acquisitions 1991-2002 - The Metropolitan Museum of Art. (New Oasis: Yale University Printing, 2003), 6.
6. ↑ Amelia Peck. Period Rooms in the Metropolitan Museum of Art. (New York: Metropolitan Museum of Art, 1996), 17, 275.
7. ↑ Electric current Special Exhibitions, The Metropolitan Museum of Fine art. Retrieved July 14, 2008.
8. ↑ Mission Statement, Metropolitan Museum of Fine art, September 12, 2000. Retrieved July 14, 2008.
9. ↑ Ibid.
10. ↑ The Metropolitan Museum of Art at HumanitiesWeb. Retrieved July xiv, 2008.
11. ↑ Virginia Postrel, "Apparel Sense" The Atlantic (May 2007), 133
12. ↑ Works of Art: Greek and Roman Art. The Metropolitan Museum of Art. Retrieved July 14, 2008.
13. ↑ Michael Kimmelman, "Classical Treasures, Bathed in a New Lite." 2007-04-20. New York Times [2]. accessdate 2007-07-fourteen
14. ↑ Metropolitan Museum of Art [http://www.metmuseum.org/Press_Room/full_release.asp?prid={6E3EF378-71B3-4FD1-B7ED-BC5F36E57CD0} THE ROBERT LEHMAN COLLECTION press release, September 1999]. Retrieved July 14, 2008.
15. ↑ Thomas Hoving. Making the Mummies Trip the light fantastic toe. (New York: Simon and Schuster, 1993).
16. ↑ John Russell, Art Review: Banquet of Illuminations and Drawings, The New York Times, Feb xviii, 2000. Retrieved July 14, 2008.
17. ↑ Metropolitan Museum of Art website article on the Cloisters. Retrieved July 14, 2008.
18. ↑ Thomas Hoving. Making the Mummies Trip the light fantastic. New York: Simon and Schuster, 1993.
19. ↑ James Os, "Brimful museums put art under the hammer" The Times Online, Oct 31, 2005. Retrieved July 14, 2008.
20. ↑ "Rare photo sets $2.9m sales record" BBC News, Feb 16, 2006. Retrieved July xiv, 2008.

References

ISBN links back up NWE through referral fees

• Burn, Barbara. Masterpieces of the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1997. ISBN 0300106157
• Hoving, Thomas. Making the Mummies Dance. New York: Simon and Schuster, 1993.
• Peck, Amelia. Period Rooms in the Metropolitan Museum of Fine art. New York: Metropolitan Museum of Art, 1996. ISBN 0300105223
• Postrel, Virginia. "Dress Sense." The Atlantic May 2007, 133.
• Pyhrr, Stuart Westward. Arms and Armor: Notable Acquisitions 1991-2002 - The Metropolitan Museum of Art. New Haven: Yale University Press, 2003. ISBN 0300098766

External links

All links retrieved September 19, 2018.

• Metropolitan Museum of Art: official site
• The Metropolitan Museum of Art presents a Timeline of Art History
• The New York Times Metropolitan Museum of Fine art Topic Page
• Items owned by The Metropolitan Museum of Art

• Maps and aerial photos Coordinates: 40.779447° -73.96311°

Pop visitor attractions in New York City
Times Foursquare (35M) • Central Park (20M) • Metropolitan Museum of Art (4.5M) • Statue of Liberty (4.24M) • American Museum of Natural History (4M) • Empire State Building (4M) • Museum of Modern Art (2.67M) •

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